Sitemap - 2023 - Alexander Adams
Daliland: Artist as Corrupting Tyrant
New linocut portraits launched 1 Jan.
Watery Terror: Ivan Aivazovsky and the Marine Sublime
Max Beckmann, Ambiguous Prophet
Art critics v. the intellectual artist
Félicien Rops and the Art of Horror
Unica Zürn: Professional or outsider?
Alfred Kubin and the Art of Horror
Magritte and the Art of Horror
Advance: next steps for an art movement
David Jones, Distributism & the Benedictine Option
Exclusive preview of new linocuts
Carlo Mollino, Italian Architect
The Mystery Religion of a New Art
Byzantinism, Darwinism and Leontiev’s “amoral aesthetics”
Knut Hamsun: “Growth of the Soil”
I’m no Old Master, nor are you
Carel Willink, Magic Realist visionary
Damned but invigorated: "Prophets of Doom"
Our Next Steps: Components of an Art Movement
The Art of Beksiński and the Tragic Vision
Georges Bataille, Sacred Transgressor
Snobbery or hierarchy? On “minor” art forms
Basil Beattie: Seething with Invention
Return to which tradition? Reflections on Niko Pirosmani
Are most artists ready “to flip”?
Baudelaire: Scandalous and Impoverished in Belgium
Philip Guston, Dissenting Painter
A masterclass for dissident gallerists
Has this artist solved the problem of modern History painting?
Zdzislaw Beksiński and the Tyranny of Taste
Book exclusive: "Blood, Soil, Paint"
Lizzie Siddal, Pre-Raphaelite muse
Victor Brauner, Romanian Surrealist
Exclusive excerpt from “After Francis Bacon”
Damned by beauty: Evelyn Nesbit
Interviews with Oliver Harris and S.T. Joshi
Was José Ortega y Gasset correct?
Polar Heroism: 2. Sir Ernest Shackleton: Explorer, Hero, Management Role Model
Polar Heroism: 1. Captain R.F. Scott: National hero or sentimental bungler?
Nietzsche on painting, purity and heroism
"The New Impressionists" or "How to Start a Dissident Art Movement"